"...the set design of the second floor also served to enhance a more serious musical interlude sung by Eunice, who was played by the very gifted Alexandra Mathews. As Eunice approached the looping staircase, where she performed most of the song, the audience followed her shadow, which moved between the windows of the second floor of the set. This use of the lighting and set was particularly striking, even mesmerizing; the audience could not help but follow her slow steps, and they were consumed by the foreboding feeling of trouble about to come."
Click here to continue reading. - Ellen Rodnianski, The Chicago Maroon